i don’t have any snooty audiophile reasons for listening to records. and i don’t really have any aspirations to become a deejay or anything like that. i don’t care about that junk, by and large. i just happen to like records. my undying thanks are due to the pretentious indie fuckers for helping keep LPs trendy, so i have still more selection.
- they’re tangible music. i can see the music. i can hear it without amplification. it’s physical and i can interact with it.
- you can watch the light reflected on the disc as it goes round, as the needle goes up and down due to slight warping.
- twelve inch singles mean REMIXES, REMIXES, REMIXES.
- they’re heavy, and when i have a lot of music i know it.
- try finding a vintage boxed set on CD for $5.
- they’re called B-sides, not “tracks three and four”
- some things sound better with slight pops and crackles.
- record jackets and sleeves > elaborately overdesigned CD inserts any day.
- you get eight tracks, maybe ten. make ’em count.
- they come in different sizes. sometimes they come in different colors and shapes too.
- there’s something satisfying about sitting on the floor going through a stack of records, or spending two hours in a record shop to emerge triumphant with hours of music, having spent twenty bucks (and that includes the one new pressing).
- records reward you for taking care of them.
- it’s mechanical, not digital. i know it’s working right because there’s a strobe light that tells me so.
- $2 for a record i don’t know if i’m going to like all that much beats $18 for the CD any day.